So, today is Friday, and on Fridays I post a round-up of art or writing that mattered to me over the past week. Over the years, many people have told me they find my lists comforting, and today I'm thinking about what it means to offer comfort in times of unrest.

I think that a bit of comfort or solace or respite can provide us with the space we need to continue on and do what needs doing. And some of the things I share, I hope can help engender compassion for those who need it, and that that compassion can help make change.

But I also know that turning toward comfort can be a way of turning away from that which is uncomfortable, of closing our eyes and hearts to the suffering of others. It can dilute the urgency we feel to make necessary changes. It can enable complicity.

So, all of this is on my mind right now, as I'm preparing to share this week's list. I do want to celebrate and share the things that have mattered to me, and I do want to help comfort the afflicted, to help make the world a little better. But I am yet concerned about the idea that in some way I might be helping people feel comfortable with the status quo. I'm not sure what my responsibility is, ultimately.

I hope that in sharing things that made me think or feel, I am doing something useful. And when I do something harmful, I hope to have the opportunity to learn and grow and do better, and I hope that I remember to take that opportunity if it's given to me.

In any case, it is Friday, and here are some things that mattered to me recently:

1. Sasha Steensen's poem "My Body, A Barometer." Especially, today, the lines "Sometimes it is ok to be afraid / & necessary."
2. The images in Catherine Panebianco's series "No Memory is Ever Alone" layer past and present together in a way that feels to me very much like the way I experience memory.
3. Troy Jollimore's poem "Marvelous Things without Number," which is about impermanence and trying to hold onto things that are ungraspable, but which also pays such close attention to details which are, in fact, marvelous.
4. Maggie Smith's piece "Ghost Story," which is about divorce, and afterlife—or, rather, it is about life, after. I think, too, it is about the way longing and becoming can happen at once.
5. Shing Yin Khor's comic "Of Mufflers and Men" makes a metaphor out of a certain kind of roadside Americana, in a way that feels wonderfully affirming.
6. Finally, Scene On Radio's latest episode is about the myth of journalistic objectivity, something that is always relevant and certainly remains relevant as we watch how events in Minnesota and elsewhere are reported.
7. As an addendum, this seems a very good time to revisit Scene On Radio's excellent second season, about the history of American racism and how it continues to play out today.

As always, this is just a portion of what mattered to me recently. If you are safe and comfortable today, I hope you will take some time to help those who are not. Thank you, and take care.

1. Sarah Gailey's recent "Mending Sauce" post was such a gentle and beautiful and kind piece of writing. (CW: mention of a pet's death)
2. I re-read Alvin Park's 2016 flash fiction piece "tree rot" this week. I loved its quiet lyricism, the way that land and person reflect each other.
3. Devin Kelly's writing always has this longing to it that feels so familiar to me. In "What I Want to Know of Kindness" he wrote about loss, grief, mothers, male friendship, and gentle masculinity. I thought it was beautiful. (CW: cancer)

As always, this is just a portion of what mattered to me recently. I think right now a lot of our boundaries are being tested. I hope that you know that it's okay to have different boundaries from the people around you. Thank you, and take care.

This week on Keep the Channel Open, I'm talking with writer and podcaster Maggie Tokuda-Hall. Maggie’s debut YA novel, The Mermaid, the Witch, and the Sea, is a swashbuckling pirate fantasy, and it’s also a nuanced and subversive story about colonialism, the power of storytelling, and the cost of violence. In our conversation, Maggie and I talked about her love of working in multiple forms and genres, the presentation of race in her novel, and writing the horrificness of violence. Then in the second segment, we discussed how to talk to our kids about problematic books and authors.

Here are some links to where you can listen to the episode:

• Apple Podcasts 
• Google Podcasts 
• RadioPublic 
• Spotify 
• Stitcher 
• TuneIn 

You can also listen to the full episode and find show notes and a transcript on the episode page at the KTCO website.

If you'd like to support Maggie's work, you could buy a copy of her YA novel The Mermaid, the Witch, and the Sea or her children's picture book Also an Octopus. You could read her column at Catapult, Fear and Loathing In Utero, or check out her hilarious animal facts podcast, Drunk Safari.

1. I loved the paradox of Ada Limón's "The End of Poetry," how it is an example of both poetry's limitations and its necessity. The ache of it, the way it is a connection but not a touch.
2. For some time now, and more and more, and especially now, social media has felt like such a frantic and overwhelming thing. Julianna Baggott's poem "The Facebook is Excited and Sad" captures that feeling so well.
3. I really liked (and agreed with) Aidan Moher's piece about games based on The Lord of the Rings. It's always seemed to me such a disservice that so many adaptations fail to capture the wonder and beauty of the books.
4. Finally, Noah Cho's latest food column is about kimchijigae, food scarcity, resiliency, and, I think, gratitude. I love when Noah writes about his comfort foods—I find the way he writes about it to be similarly comforting.

As always, this is just a portion of what mattered to me recently. I often find that when I'm feeling hopeless or scared, doing things for others can make me feel better. If you're able, if you have the energy and opportunity, maybe that could help you, too.

Thanks, and take care.

This week on Keep the Channel Open, I'm pleased to welcome writer Sarah Gailey back to the show. Sarah’s latest novel, the YA fantasy When We Were Magic, is a wonderful story about teen friendship, magic, and queer love. In our conversation, we talked about the importance of representation and sensitivity edits, writing YA that respects teens, and how it’s okay to take up space in one’s relationships. Then for the second segment, we talked about something that’s been on all of our minds lately: food.

Here are some links to where you can listen to the episode:

• Apple Podcasts
• Google Podcasts
• RadioPublic
• Spotify
• Stitcher
• TuneIn

You can also listen to the full episode and find show notes and a transcript on the episode page at the KTCO website.

1. Danez Smith's latest book, Homie, seemed to me both a continuation of their amazing past work and an evolution. There is fire in this collection, and sadness, but there is such joy in it, too, and so many different kinds of love—love of community, love of self, love of language. More than once, the generosity of spirit in these poems brought me to tears.
2. I loved how Leah Huizar blended different kinds of history in her poetry collection Inland Empire, regional and cultural history intertwining with personal history. I love poems that make me reconsider places I know well. These ones gave me a new view of the state where I was born and the region where I now live, and for that I'm grateful.

As always, this is just a portion of what mattered to me recently. I've been thinking a lot lately about how letting someone help you is a gift to both of you. Maybe that's a useful thought for you, too. I hope so, anyway.

Thank you, and take care.